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The first volume in Martin�s first fantasy saga, A Song of Ice and Fire, combines intrigue, action, romance, and mystery in a family saga. The family is the Starks of Winterfell, a society in crisis due to climatic change that has created decades-long seasons, and a society almost without magic but with human perversity abundant and active. Martin reaches a new plateau in terms of narrative technique, action scenes, and integrating (or not injecting) his political views into the story. He does not avoid a dauntingly large cast and a daunting number of viewpoint shifts, but these are problems seemingly inseparable from the multivolume fantasy genre. Accordingly, one doubts there will be any other comfortable entry point into this example of the genre except at the beginning. Judging by this beginning, however, it promises to repay reading and rereading, from first volume to last, on account of its literacy, imagination, emotional impact, and superb world-building.
Unabridged.

Welcome to the bizarre and dangerous world of Victorian London, a city teetering on the edge of revolution. Its people are ushering in a new era of technology, dazzled each day by new inventions. Airships soar in the skies over the city, whilst ground trains rumble through the streets and clockwork automatons are programmed to carry out menial tasks in the offices of lawyers, policemen and journalists. But beneath this shiny veneer of progress lurks a sinister side. For this is also a world where lycanthropy is a rampant disease that plagues the dirty whorehouses of Whitechapel, where poltergeist infestations create havoc in old country seats, where cadavers can rise from the dead and where nobody ever goes near the Natural History Museum. Sir Maurice Newbury, Gentleman Investigator for the Crown, imagines life can be a little quieter from now on after his dual success in solving The Affinity Bridge affair. But he hasn�t banked on his villainous predecessor, Knox, hell bent on achieving immortality, not to mention a secret agent who isn�t quite as he seems�
Unabridged.
Read by Philip Bird.

In the aftermath of a colossal battle, the future of the Seven Kingdoms hangs in the balance once again�beset by newly emerging threats from every direction. In the east, Daenerys Targaryen, the last scion of House Targaryen, rules with her three dragons as queen of a city built on dust and death. But Daenerys has three times three thousand enemies, and many have set out to find her. Yet as they gather, one young man embarks upon his own quest for the queen, with an entirely different goal in mind. To the north lies the mammoth Wall of ice and stone�a structure only as strong as those guarding it. There, Jon Snow, 998th Lord Commander of the Night�s Watch, will face his greatest challenge yet. For he has powerful foes not only within the Watch, but also beyond, in the land of the creatures of ice. And from all corners, bitter conflicts soon re-ignite, intimate betrayals are perpetrated, and a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, will face seemingly insurmountable obstacles. Some will fail, others will grow in the strength of darkness. But in a time of rising restlessness, the tides of destiny and politics will lead inevitably to the greatest dance of all�
Unabridged.
Read by Roy Dotrice.

This story, like other epic fantasies, has long-winded details that overload the listener. Names, titles, and places could further debilitate fans, since the audiobook lacks the appendices featured in the book. However, John Lee compensates for these challenges with a professional resilience that maintains continuity. Lee subtly indicates what passages are relevant and what parts are inconsequential. Characterizations remain steady throughout, and, since the first book, Lee has kept his vocal personalities distinct and consistent. As the fourth book in a six-book series, Martin sets up a variety of plots that provide excitement while priming his audience for an explosive conclusion. Lee �s performance drags you in deeper.
Unabridged.

Welcome to the bizarre and dangerous world of Victorian London, a city teetering on the edge of revolution. Its people are ushering in a new era of technology, dazzled each day by new inventions. Airships soar in the skies over the city, whilst ground trains rumble through the streets and clockwork automatons are programmed to carry out menial tasks in the offices of lawyers, policemen and journalists. But beneath this shiny veneer of progress lurks a sinister side. For this is also a world where lycanthropy is a rampant disease that plagues the dirty whorehouses of Whitechapel, where poltergeist infestations create havoc in old country seats, where cadavers can rise from the dead and where nobody ever goes near the Natural History Museum.
Unabridged.
Read by Simon Taylor.

The second novel of Martin�s titanic Song of Ice and Fire saga (A Game of Thrones, 1996) begins with Princess Arya Stark fleeing her dead father�s capital of King�s Landing, disguised as a boy. It ends with the princess, now known as Weasel, having led the liberation of the accursed castle of Harrenhal. In between, her actions map the further course of a truly epic fantasy set in a world bedecked with 8000 years of history, beset by an imminent winter that will last 10 years and bedazzled by swords and spells wielded to devastating effect by the scrupulous and unscrupulous alike. Standout characters besides Arya include Queen Cersei, so lacking in morals that she becomes almost pitiable; the queen�s brother, the relentlessly ingenious dwarf Tyrion Lannister; and Arya�s brother, Prince Brandon, crippled except when he runs with the wolves in his dreams. The novel is notable particularly for the lived-in quality of its world, created through abundant detail that dramatically increases narrative length even as it aids suspension of disbelief; for the comparatively modest role of magic (although with one ambitious young woman raising a trio of dragons, that may change in future volumes); and for its magnificent action-filled climax, an amphibious assault on King�s Landing, now ruled by the evil Queen Cersei. Martin may not rival Tolkien or Robert Jordan, but he ranks with such accomplished medievalists of fantasy as Poul Anderson and Gordon Dickson. Here, he provides a banquet for fantasy lovers with large appetites?and this is only the second course of a repast with no end in sight.
Unabridged.